<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>innovation | Reprex</title><link>https://reprex-next.netlify.app/tag/innovation/</link><atom:link href="https://reprex-next.netlify.app/tag/innovation/index.xml" rel="self" type="application/rss+xml"/><description>innovation</description><generator>Wowchemy (https://wowchemy.com)</generator><language>en-us</language><lastBuildDate>Sat, 06 Nov 2021 16:00:00 +0000</lastBuildDate><image><url>https://reprex-next.netlify.app/media/icon_hub9491570ac57158c0eeecc95c95b13e5_20247_512x512_fill_lanczos_center_3.png</url><title>innovation</title><link>https://reprex-next.netlify.app/tag/innovation/</link></image><item><title>Reprex Joins RECREO Research Consortium To Develop Innovation Indicators</title><link>https://reprex-next.netlify.app/post/2021-10-06-recreo/</link><pubDate>Sat, 06 Nov 2021 16:00:00 +0000</pubDate><guid>https://reprex-next.netlify.app/post/2021-10-06-recreo/</guid><description>&lt;p>The &lt;a href="https://www.santannapisa.it/it" target="_blank" rel="noopener">Scuola Superiore di Studi Universitari e di Perfezionamento Sant’Anna&lt;/a> and &lt;a href="https://www.unitn.it/en" target="_blank" rel="noopener">Università degli Studi di Trento&lt;/a> (Italy); &lt;a href="https://www.create.ac.uk/" target="_blank" rel="noopener">University of Glasgow&lt;/a> (United Kingdom); &lt;a href="https://www.ivir.nl/" target="_blank" rel="noopener">Universiteit van Amsterdam&lt;/a> and &lt;a href="https://pro.europeana.eu/" target="_blank" rel="noopener">Stichting Europeana&lt;/a> from the Netherlands; the &lt;a href="https://www.maynoothuniversity.ie/" target="_blank" rel="noopener">National University of Ireland Maynooth&lt;/a> (Ireland); &lt;a href="https://www.ut.ee/en/" target="_blank" rel="noopener">Tartu Ulikool&lt;/a> (Estonia); &lt;a href="https://u-szeged.hu/" target="_blank" rel="noopener">Szegedi Tudományegyetem&lt;/a> (Hungary); &lt;a href="https://www.santamarialareal.org/" target="_blank" rel="noopener">Fundacion Santa Maria La Real del Patrimonio Historico&lt;/a> from Spain; the &lt;a href="https://www.kuleuven.be/kuleuven/" target="_blank" rel="noopener">Katholieke Universiteit Leuven&lt;/a>, (Belgium); &lt;a href="https://cultureactioneurope.org/" target="_blank" rel="noopener">Culture Action Europe AISBL&lt;/a> and &lt;a href="https://www.ideaconsult.be/en/" target="_blank" rel="noopener">IDEA Strategische Economische Consulting&lt;/a> (Belgium) and &lt;a href="https://reprex.nl/" target="_blank" rel="noopener">Reprex&lt;/a> created the&lt;code>REshaping CCSI REsearch: Open data, policy analysis and methods for evidence-based decision-making consortium&lt;/code> consortium, which will mainly develop new policy evidence in the field of innovation and inclusiveness for the creative and cultural sectors, industries. The Consortium applies for a Horizon Europe grant with the &lt;code>HORIZON-CL2-2021-HERITAGE-01-03&lt;/code> &lt;a href="https://ec.europa.eu/info/funding-tenders/opportunities/portal/screen/opportunities/topic-details/horizon-cl2-2021-heritage-01-03" target="_blank" rel="noopener">Cultural and creative industries as a driver of innovation and competitiveness&lt;/a> call of the European Commission.&lt;/p>
&lt;p>Policymakers face challenges when trying to implement a strict evidence-based approach to decision-making in the field of cultural and creative sectors and industries (CCSI). This is mostly due to four phenomena:&lt;/p>
&lt;ol>
&lt;li>&lt;code>Evidence dissonances in mapping, measuring and analysis of key indicators&lt;/code>, which lead to improper generalizations and gaps in decisionmakers’ knowledge and stakeholders’ awareness&lt;/li>
&lt;li>&lt;code>Fragmentation of hubs of production and concentration of platforms&lt;/code>, which create statistical biases and have features that hardly fit with traditional impact assessment methods;&lt;/li>
&lt;li>&lt;code>Datafication&lt;/code>, which is revolutionizing CCSI but remains difficult to investigate, thus broadening knowledge gaps; and&lt;/li>
&lt;li>&lt;code>Stakeholders’ fragmentation and conflicting interests&lt;/code>, which hinders their engagement, awareness-raising and uptake of policy inputs.With its cross-disciplinary consortium of academics, practitioners and a strong network of stakeholders, engaged via participatory research strategies, RECREO will help policymakers and stakeholders tackling such challenges, by generating new knowledge and methods to fill in knowledge and awareness gaps. RECREO will achieve this goal through four actions.&lt;/li>
&lt;/ol>
&lt;p>First, it will generate a wide array of horizontal and sector-specific datasets, made openly accessible via the &lt;a href="https://reprex.nl/project/ccsi-data-observatory/" target="_blank" rel="noopener">CCSI Data Observatory&lt;/a> and the Evidence Synthesis Platform. Second, it will offer an unprecedented EU and comparative mapping and impact assessment of key regulatory and policy measures relevant for CCSI, made available on the Law and Policy Observatory. Third, it will develop innovative methods to measure and assess CCSI innovation, competitiveness and spill-over effects, emphasizing inclusiveness, diversity and sustainability. Last, it will offer policy recommendations and best practices aimed at supporting the sustainable growth and competitiveness of culturally diverse CCSI, and their cross-fertilization with cultural heritage promotion and preservation.&lt;/p></description></item><item><title>Reprex on MaMA</title><link>https://reprex-next.netlify.app/post/2021-10-15-mama/</link><pubDate>Fri, 15 Oct 2021 19:00:00 +0000</pubDate><guid>https://reprex-next.netlify.app/post/2021-10-15-mama/</guid><description>&lt;p>Reprex’s co-founder, the main developer of the Digital Music Observatory, &lt;a href="https://reprex.nl/authors/daniel_antal/" target="_blank" rel="noopener">Daniel Antal&lt;/a> and Digital Music Observatory curator, &lt;a href="https://music.dataobservatory.eu/author/marie-zhorova/" target="_blank" rel="noopener">Marie Zhorová&lt;/a> participated in the MaMA Festival &amp;amp; Convention in Paris on 13-15 October within the &lt;a href="https://www.jumpmusic.eu/fellows/" target="_blank" rel="noopener">JUMP Music Market Accelerator Program&lt;/a> Program. We introduced our Digital Music Observatory to national music organizations and encouraged them to try out a cooperation with us. (See Use Cases below)&lt;/p>
&lt;p>Our main aim was to find new users to our Digital Music Observatory, and to find partners for a future Horizon Europe R&amp;amp;D project to develop the scientific pillars of the Observatory in a manner that meets practical industry needs and the feature requirements laid out in hte Feasiblity Study for a Euroepan Music Observatory.&lt;/p>
&lt;p>Our concept was introduced in Le Trianon to a wider audience during the &lt;a href="https://reprex.nl/talk/digital-music-observatory-on-the-mama-convention-2021/" target="_blank" rel="noopener">JUMP Music Market Accelerator Pitch Session&lt;/a> and in one-to-one meetings to representatives of French national organizations. We have also started to investigate the possibility to cooperate with two startups to bring our data services closer to artists, labels, and publishers.&lt;/p>
&lt;script class="lesondier-widget" data-ls-event-id="12386" data-ls-site-slug="mama" src="https://live.mamafestival.com/build/widget/widget_loader.min.js" data-ls-width="600px" data-ls-height="435px" async>&lt;/script>
&lt;h2 id="use-cases">Use Cases&lt;/h2>
&lt;h3 id="fair-streaming">Fair Streaming&lt;/h3>
&lt;td style="text-align: center;">
&lt;figure id="figure-daniel-introduced-our-work-made-for-the-uk-ipos-music-creators-earnings-in-the-digital-era-projecthttpsmusicdataobservatoryeupublicationmce_empirical_streaming_2021-about-the-justified-and-not-justified-differences-among-music-rightsholders-earnings-and-the-diminishing-market-value-of-streams-we-believe-that-our-uk-approach-is-a-particularly-interesting-addition-to-join-with-the-distribution-analysishttpsdataandlyricscompost2021-02-21-cnm-streaming-performed-by-the-centre-nationale-de-la-musiquehttpscnmfren-and-deloitte-in-france">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img alt="Daniel introduced our work made for the UK IPO&amp;#39;s [Music Creators&amp;#39; Earnings in the Digital Era Project](https://music.dataobservatory.eu/publication/mce_empirical_streaming_2021/) about the justified and not-justified differences among music rightsholders earnings and the diminishing market value of streams. We believe that our UK approach is a particularly interesting addition to join with [the distribution analysis](https://dataandlyrics.com/post/2021-02-21-cnm-streaming/) performed by the [Centre Nationale de la Musique](https://cnm.fr/en/) and Deloitte in France." srcset="
/media/img/reports/mce/featured_hue50608b3f52d6750042187fb48482821_711194_82c4b196d92bab0818d4a4e473f93c67.webp 400w,
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src="https://reprex-next.netlify.app/media/img/reports/mce/featured_hue50608b3f52d6750042187fb48482821_711194_82c4b196d92bab0818d4a4e473f93c67.webp"
width="760"
height="526"
loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption data-pre="Figure&amp;nbsp;" data-post=":&amp;nbsp;" class="numbered">
Daniel introduced our work made for the UK IPO&amp;rsquo;s &lt;a href="https://music.dataobservatory.eu/publication/mce_empirical_streaming_2021/" target="_blank" rel="noopener">Music Creators&amp;rsquo; Earnings in the Digital Era Project&lt;/a> about the justified and not-justified differences among music rightsholders earnings and the diminishing market value of streams. We believe that our UK approach is a particularly interesting addition to join with &lt;a href="https://dataandlyrics.com/post/2021-02-21-cnm-streaming/" target="_blank" rel="noopener">the distribution analysis&lt;/a> performed by the &lt;a href="https://cnm.fr/en/" target="_blank" rel="noopener">Centre Nationale de la Musique&lt;/a> and Deloitte in France.
&lt;/figcaption>&lt;/figure>&lt;/td>
&lt;h3 id="fair-value">Fair Value&lt;/h3>
&lt;td style="text-align: center;">
&lt;figure id="figure-daniel-introduced-to-collective-management-professioanls-our-innovative-approach-for-private-copying-valuation-royalty-price-setting-estimating-the-values-of-value-transfer-to-media-platforms-and-other-topics-of-interests-for-collective-management-and-rights-management-organizations-our-approach-has-a-proven-track-record-to-increase-revenues-for-creators">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img alt="Daniel introduced to collective management professioanls our innovative approach for private copying valuation, royalty price setting, estimating the values of value transfer to media platforms, and other topics of interests for collective management and rights management organizations. Our approach has a proven track record to increase revenues for creators." srcset="
/media/img/reports/mce/listen_fair_treemap_en_hu541e296fb926ca7602368e34164d282a_326052_da197cb6040c006765b23dec7d5086e1.webp 400w,
/media/img/reports/mce/listen_fair_treemap_en_hu541e296fb926ca7602368e34164d282a_326052_d0d3fea66be53635f73bc1425195a568.webp 760w,
/media/img/reports/mce/listen_fair_treemap_en_hu541e296fb926ca7602368e34164d282a_326052_1200x1200_fit_q75_h2_lanczos.webp 1200w"
src="https://reprex-next.netlify.app/media/img/reports/mce/listen_fair_treemap_en_hu541e296fb926ca7602368e34164d282a_326052_da197cb6040c006765b23dec7d5086e1.webp"
width="760"
height="608"
loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption data-pre="Figure&amp;nbsp;" data-post=":&amp;nbsp;" class="numbered">
Daniel introduced to collective management professioanls our innovative approach for private copying valuation, royalty price setting, estimating the values of value transfer to media platforms, and other topics of interests for collective management and rights management organizations. Our approach has a proven track record to increase revenues for creators.
&lt;/figcaption>&lt;/figure>&lt;/td>
&lt;h3 id="open-music-observatory">Open Music Observatory&lt;/h3>
&lt;td style="text-align: center;">
&lt;figure id="figure-we-introduced-our-approach-to-building-the-european-music-observatoryhttpsmusicdataobservatoryeupost2021-03-04-jump-2021-in-a-decentralized-way-relying-not-only-on-the-resources-of-creative-europe-but-also-on-open-science-horizon-europe-bringing-the-music-industry-music-research-in-universities-and-cultural-policy-under-one-open-collaboration-because-france-is-building-its-own-music-observatory-of-a-kind-the-decentralized-approach-could-particularly-benefit-french-stakeholders">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img alt="We introduced our approach to building the [European Music Observatory](https://music.dataobservatory.eu/post/2021-03-04-jump-2021/) in a decentralized way, relying not only on the resources of Creative Europe but also on Open Science, Horizon Europe, bringing the music industry, music research in universities and cultural policy under one open collaboration. Because France is building its own music observatory of a kind, the decentralized approach could particularly benefit French stakeholders." srcset="
/media/img/observatory_screenshots/dmo_contributors_hua4f41ef7327b64bb97f169af135070bd_140729_a07a8e618fa7317f6f8256b9a334262e.webp 400w,
/media/img/observatory_screenshots/dmo_contributors_hua4f41ef7327b64bb97f169af135070bd_140729_3a4ae7f72478fd880961b08e1f7075dd.webp 760w,
/media/img/observatory_screenshots/dmo_contributors_hua4f41ef7327b64bb97f169af135070bd_140729_1200x1200_fit_q75_h2_lanczos_3.webp 1200w"
src="https://reprex-next.netlify.app/media/img/observatory_screenshots/dmo_contributors_hua4f41ef7327b64bb97f169af135070bd_140729_a07a8e618fa7317f6f8256b9a334262e.webp"
width="760"
height="427"
loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption data-pre="Figure&amp;nbsp;" data-post=":&amp;nbsp;" class="numbered">
We introduced our approach to building the &lt;a href="https://music.dataobservatory.eu/post/2021-03-04-jump-2021/" target="_blank" rel="noopener">European Music Observatory&lt;/a> in a decentralized way, relying not only on the resources of Creative Europe but also on Open Science, Horizon Europe, bringing the music industry, music research in universities and cultural policy under one open collaboration. Because France is building its own music observatory of a kind, the decentralized approach could particularly benefit French stakeholders.
&lt;/figcaption>&lt;/figure>&lt;/td>
&lt;h3 id="listen-local">Listen Local&lt;/h3>
&lt;td style="text-align: center;">
&lt;figure id="figure-marie-and-daniel-introduced-the-listen-local-projecthttpsreprexnlprojectlisten-local-to-startups-our-listen-local-project-analyzes-why-recommendation-engines-do-not-recommend-locally-relevant-music-such-as-music-from-paris-in-paris-slovakian-music-for-slovaks-and-offers-alternative-approaches-and-fixes--we-were-discussing-with-other-startups-serving-artists-and-small-labels-to-bring-down-our-macro-level-approaches-benefits-to-the-level-of-aritsts-as-we-did-in-our-experimental-project-in-slovakiahttpsmusicdataobservatoryeupublicationlisten_local_2020-supported-by-our-scientific-research-cooperation-see-our-pre-print-manuscripthttpsmusicdataobservatoryeupublicationeuropean_visibilitiy_2021">
&lt;div class="d-flex justify-content-center">
&lt;div class="w-100" >&lt;img alt="Marie and Daniel introduced the [Listen Local project](https://reprex.nl/project/listen-local/) to startups. Our Listen Local project analyzes why recommendation engines do not recommend locally relevant music (such as music from Paris in Paris, Slovakian music for Slovaks) and offers alternative approaches and fixes. We were discussing with other startups serving artists and small labels to bring down our macro-level approaches&amp;#39; benefits to the level of aritsts, as we did in our experimental project in [Slovakia](https://music.dataobservatory.eu/publication/listen_local_2020/) supported by our scientific research cooperation (see our pre-print [manuscript](https://music.dataobservatory.eu/publication/european_visibilitiy_2021/).)" srcset="
/media/img/reports/listen_local_2020/listen_local_study_covers_hue3bbdd36723034473d5308625670dcc8_550932_763efe9ed9c592524de77426709a3c4d.webp 400w,
/media/img/reports/listen_local_2020/listen_local_study_covers_hue3bbdd36723034473d5308625670dcc8_550932_03e3303a405b457472b9b2ff5bc4c0d4.webp 760w,
/media/img/reports/listen_local_2020/listen_local_study_covers_hue3bbdd36723034473d5308625670dcc8_550932_1200x1200_fit_q75_h2_lanczos_3.webp 1200w"
src="https://reprex-next.netlify.app/media/img/reports/listen_local_2020/listen_local_study_covers_hue3bbdd36723034473d5308625670dcc8_550932_763efe9ed9c592524de77426709a3c4d.webp"
width="760"
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loading="lazy" data-zoomable />&lt;/div>
&lt;/div>&lt;figcaption data-pre="Figure&amp;nbsp;" data-post=":&amp;nbsp;" class="numbered">
Marie and Daniel introduced the &lt;a href="https://reprex.nl/project/listen-local/" target="_blank" rel="noopener">Listen Local project&lt;/a> to startups. Our Listen Local project analyzes why recommendation engines do not recommend locally relevant music (such as music from Paris in Paris, Slovakian music for Slovaks) and offers alternative approaches and fixes. We were discussing with other startups serving artists and small labels to bring down our macro-level approaches&amp;rsquo; benefits to the level of aritsts, as we did in our experimental project in &lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">Slovakia&lt;/a> supported by our scientific research cooperation (see our pre-print &lt;a href="https://music.dataobservatory.eu/publication/european_visibilitiy_2021/" target="_blank" rel="noopener">manuscript&lt;/a>.)
&lt;/figcaption>&lt;/figure>&lt;/td>
&lt;h2 id="why-data-observatory">Why Data Observatory?&lt;/h2>
&lt;p>Our use cases highlight the value of having a wide range of data available for the industry players, researchers and policy-makers. In the era of big data, and when open data is becoming &lt;em>legally&lt;/em> more and more available, it is important to have one place with a single data collection method. Copernicus built a permanent observatory for the ongoing observation of celestial bodies. We built an automated data observatory to permanently collect data about music.&lt;/p></description></item></channel></rss>